Black Background

Discussion in 'AutoCAD' started by JG, Apr 13, 2006.

  1. JG

    JG Guest

    But that is on a crt. On an LCD there are no guns, and most people are
    switching to LCDS. In fact it is virtually impossible to buy a high
    quality large screen CRT suitable for cad work.
     
    JG, Apr 14, 2006
    #21
  2. JG

    Happy Trails Guest


    Greg,

    Too unfortunately most people agree with you.

    I import ACAD drawings to make 3D surfaces & simplified linework for
    construction layout. I'm interested in the model, not the paper.

    What a pain in the ass all drawings I get are in some point or other.
    I have never gotten one yet that had all the stuff on the right
    layers. By that I mean one that was consistent. There's always a
    piece of curb or 2 that is on a layer other than "curbs". There's a
    HUGE difference in function of "edge-of-pavement" and "back-of-curb",
    but most often they are all on the same layer.

    I'll be happy when the legal requirement is updated to include a
    correct model, not merely something that looks okay on paper.

    BTW:

    Light burns out eyeball tissue. Less light is better for less eye
    fatigue/wear & tear. White background = light. Black background =
    lack of light. I like black.

    Melanie
     
    Happy Trails, Apr 14, 2006
    #22
  3. JG

    Tim S Guest

    but why do most cad people still use a black background?

    Force of habit, or bad monitor settings. I have long used a white background
    with refresh at 85 Hz and brightness turned down. I can work all day with no
    eye strain or fatigue. The eyes can resolve detail much better and easier
    with dark markings on a light background. Imagine reading all your printed
    drawings with white or colored ink on black paper....
    You are right, and arrows show the direction of every dimension, ticks do
    not. However, even if done entirely on a computer, architects want to show
    they are are practicing art, not engineering. Maybe some would prefer
    arrows, but they risk the bad reaction of clients or other architects. But
    if you get a drawing file made with ticks, you can change the dim style and
    see arrowheads.
     
    Tim S, Apr 14, 2006
    #23
  4. JG

    Greg Young Guest

    Melanie,

    The statement of mine that you quoted was about the printed product. In
    my original post, directly after the part you quoted, is where I mention
    working with the cad file. The printed product and the cad file, as we
    all know, are two totally different things.

    It is disconcerting to hear a fellow cad operator disagree with the fact
    that your printed product must be easy to follow. This is *basic* drafting.

    As far as making the cad file easy to follow for other cad users, that
    is *secondary* to the printed copy being easy to follow. The ability to
    create a cad file that other cad users can follow easily *AND* have it
    also easy to follow when printed is what separates a good cad user from
    an excellent cad user... and this ability only comes with experience.

    Greg
     
    Greg Young, Apr 14, 2006
    #24
  5. Thanks ; )
     
    Michael Bulatovich, Apr 14, 2006
    #25
  6. JG

    Bob Morrison Guest

    In a previous post Greg Young wrote...
    Greg:

    I think you missed the point. It is possible to have a high quality
    printed product AND have the line work and layering be correct. It really
    doesn't take any more time to do the job properly the first time if one is
    paying attention.

    Sloppy workmanship is sloppy workmanship no matter what the medium.

    --
    Bob Morrison, PE, SE
    R L Morrison Engineering Co
    Structural & Civil Engineering
    Poulsbo WA
    bob at rlmorrisonengr dot com
     
    Bob Morrison, Apr 14, 2006
    #26
  7. JG

    Greg Young Guest

    I fully agree.

    My point was that they are different. One could create an entire drawing
    using one layer and still have an excellent quality print. That drawing
    would be very difficult for another draftsman to manipulate, but it
    still serves its basic function. That function being an easy to read print.

    BTW, the above is playing devil's advocate, I would never create a
    drawing that didn't serve its purpose to both the client and other
    draftsmen.

    The quality print is for the client. The quality cad file is for other
    cad users. Understanding bath and implementing both into ones work is
    crucial to ones job function as a cad draftsman.
    True statement. I come across *way* too many people that could care less
    about the quality of their work.

    Greg
     
    Greg Young, Apr 14, 2006
    #27
  8. JG

    Bob Morrison Guest

    In a previous post Greg Young wrote...

    Greg:

    I am pleased to see we are on the same page as to what a quality product
    is.

    It shouldn't be such a hard concept to grasp, but as you say, "Way" too
    many people don't seem to care if they turn quality work or not.

    Keep up the good work! Other drafters (and even some engineers <grin>)
    will thank you for it.

    --
    Bob Morrison, PE, SE
    R L Morrison Engineering Co
    Structural & Civil Engineering
    Poulsbo WA
    bob at rlmorrisonengr dot com
     
    Bob Morrison, Apr 14, 2006
    #28
  9. JG

    Bob Morrison Guest

    In a previous post Doug T wrote...
    Doug:

    Yes, it does take a few seconds more time to switch layers. If you have
    your tool bars and layer names set up properly it only takes a few clicks
    to make the switch. This would be somewhat akin to changing pencils if
    you were drawing with pencil and paper.

    In other words it doesn't take long and the final product will be much
    better.

    --
    Bob Morrison, PE, SE
    R L Morrison Engineering Co
    Structural & Civil Engineering
    Poulsbo WA
    bob at rlmorrisonengr dot com
     
    Bob Morrison, Apr 14, 2006
    #29
  10. JG

    JG Guest

    And a trick to make it easier is to draw a filled rectangle as a block
    on the sheet (could even be in your template) for each layer. then use
    the select layer tool to switch to the desired layer. All you would have
    to do is zoom all, select layer, zoom previous. You can set a script
    with a pause or set quick-keys to do the zooms and select. When the
    drawing is done, if the blocks are outside the viewports they don't get
    plotted, or you can delete the blocks.

    I'm glad that my little rant got a good discussion rolling.
     
    JG, Apr 14, 2006
    #30
  11. JG

    JG Guest

    Poorly phrased. If you have one arrow on the left side of the extension,
    but none on the right side you will know that the left dimension ends at
    this extension, but the right is overlapping the left, that you need to
    adjust dimensions, and the string cannot be trusted.

    example

    -------->|<---------- is good

    -------->|----------- is bad

    ---------|<---------- is bad

    ---------/----------- who knows
     
    JG, Apr 17, 2006
    #31
  12. <removes his teeth for a moment, and gums himself for a bit before speaking
    in a scratchy voice>

    In the old days, the only way to tell if a dimension could be trusted was to
    actually check the math. Arguing that arrows help you identify sloppy
    drafting and checking is a point taken, but they also take up more room in a
    tight string.
     
    Michael Bulatovich, Apr 17, 2006
    #32
  13. JG

    JG Guest

    I agree about the tight strings. But if a string is that tight I will
    switch to dots since on those strings even ticks are too big. Also the
    problem is not really happening that often on tight strings but more
    often is the result of the draftsperson zooming out and they have a
    dimension already on the page to which the location of the new string
    snaps. I have also seen it when a previous dimension string is selected
    to continue and the start end orientation is not the same as what the
    continue is doing. Usually pretty obvious, but when one of the
    dimensions is relatively small and the other is relatively large, it can
    easily be missed during checking, but if you routinely check arrowheads,
    the problem almost is never missed.

    If you use an open arrow head, the arrows look like dual ticks crossing
    each other.

    -----------X----------
     
    JG, Apr 17, 2006
    #33
  14. JG

    R'zenboom Guest

    <snip>

    tis easier on the eyes...
    In fact, I've had to replaced those marks with my own block, as the only way
    I could figure to not plot variable length extention lines and still keep
    the dims origins on their objects, is to make the extention lines a
    non-printing colour [ 'white' pen,] which then renders the standard marks
    'invisable' too...
     
    R'zenboom, Apr 17, 2006
    #34
  15. JG

    R'zenboom Guest

    what standards are PE's & SE's supporting these days, Bob?
    :}
     
    R'zenboom, Apr 17, 2006
    #35
  16. JG

    Bob Morrison Guest

    In a previous post R'zenboom wrote...
    I don't use any nationally recognized standard. I looked at the AIA
    standard, but find it almost incomprehensible. The other thing is some
    clients have their own standard, so you set stuck using that one.

    In my opinion any layering standard that names the layers clearly with a
    name that defines the layer's relationship to the building, site or other
    matter at hand will work just fine.

    For a building you might have a group of layer that start with "G-" to
    define layers that cover an entire building, then start go with "F-"
    layers to convey foundation information, then "1-" layers and on up the
    building until you get to "R-" layers for the roof.

    My $0.02 worth anyway.

    --
    Bob Morrison, PE, SE
    R L Morrison Engineering Co
    Structural & Civil Engineering
    Poulsbo WA
    bob at rlmorrisonengr dot com
     
    Bob Morrison, Apr 18, 2006
    #36
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